Restart
In 60 seconds
Chase Ambrose falls off a roof and forgets his entire life—including that he was the school's most feared bully. Back at school, he can't understand why kids flinch, why one girl glares pure hatred, and why everyone expects him to act like a king. As he drifts toward the video club instead of football, the evidence of who he was piles up: old texts, old videos, a twin brother hospitalized by his own hands. With his memory slowly returning, Chase has to decide whether the person he was is the person he has to be.
Before you start
Why it matters
Korman asks the question every kid (and adult) secretly fears: if you could wipe the slate clean, would you become someone better—or slide back into who you were? It's a rare bully story told from inside the bully's head, where redemption has to be earned face-to-face from the people he hurt. Perfect for middle-grade readers, classrooms tackling bullying, and anyone who's ever wanted to undo their worst self.
Spoilers ahead
The story
- 1
Act 1
The Fall
Chase Ambrose wakes up in a hospital with no idea who he is. A woman he doesn't recognize turns out to be his mother; a doctor explains he has retrograde amnesia after falling off his roof. When he looks in a mirror, the face staring back is a stranger's—"I don't know this person. I don't know this face." The fall wiped everything: his name, his home, his history. What nobody tells him yet is that the missing history is the point. Back home, Shoshanna Weber hears the news and fumes—Chase Ambrose is coming back to school. She hates him with her whole body, because Chase and his friends put her twin brother Joel in the hospital with a concussion after years of bullying. At school, the reactions make no sense to Chase. Brendan Espinoza, a video club kid, is terrified at the sight of him—he remembers being stuffed into a locker, shoved into a dumpster by Chase and his friends Aaron and Bear. Aaron Hakimian, Chase's old best friend, is thrilled to have his partner in crime back. Chase just walks the halls confused: why does Shoshanna glare, why do kids flinch when he passes? He doesn't know he's the answer to every question.
- 2
Act 2
The Wrong King
Everyone expects Chase to reclaim his throne. Instead, he joins the video club instead of the football team, and the school is stunned—he discovers he actually loves filming and editing, a total break from his jock past. Aaron is disgusted. Chase won't rejoin the team or resume their old bullying ways, and Aaron lets him have it: "You used to be the king of this school. Now you're hanging out with losers." Meanwhile, Shoshanna gets assigned as Chase's partner on a school project and is furious—but she starts noticing something off: this Chase is polite, quiet, genuinely confused by her hostility. Then Chase finds his old phone. Scrolling through photos and texts, he's horrified by evidence of his own cruelty, including a video of him and Aaron tormenting a younger kid. He learns he led a group that terrorized students—without a single memory of it. Brendan warms up after Chase helps on a video project, realizing the new Chase is nothing like the bully who made his life miserable. When Aaron and his friends corner Chase in the hallway demanding he come back, Chase refuses—and Aaron shoves him: "You're dead to us, Ambrose."
- 3
Act 3
Facing the Damage
At Shoshanna's urging, Joel agrees to meet Chase. In a tense conversation, Joel lays it bare: "You ruined my life. I had to leave my own school because of you." Chase also returns to the nursing home where he volunteered as part of a court-ordered community service sentence—he remembers none of it, but the residents remember him fondly, which only deepens the confusion about who he actually was. Then the walls close in. Aaron vandalizes the video club's equipment to get revenge, and Brendan catches him in the act—Aaron threatens him: "Tell anyone and you'll end up like Weber." Chase's father, a former football star, pressures him to return to the team: "Football is who you are. Without it, you're nothing." Chase has had enough. He stands up to Aaron publicly in the cafeteria in front of the whole school: "I'm not that guy anymore. I don't want to be him." Shoshanna, meanwhile, defends Chase when students mock him for the video club, and tells Joel, "He's not the same person. I actually believe that now."
- 4
Act 4
The Restart
The memories start coming back in fragments—and the biggest one reframes everything: the day he fell off the roof, Chase was trying to retrieve a cat for a little girl in the neighborhood, not doing a reckless stunt. Shoshanna admits to him, "I spent so long hating you, I didn't notice you changed," and they become tentative friends. Brendan reports the vandalism, and Aaron is suspended; on his way out he snarls at Chase, "You think you're better than me now? You're just a nobody who forgot how to be great." With his memory of playing football fully returned, Chase still tells the coach no: "I remember how to play. I just don't want to be that person anymore." Joel performs a concert at school—a piece he composed about his pain, played for Chase beforehand with the words, "I don't forgive you. But I'm not afraid of you anymore." After the performance, Joel nods at Chase from the stage, a small gesture of acknowledgment and peace. Chase accepts he may never recover everything, and settles the question for himself: "I don't know who I was. But I know who I want to be."
Who's who
Characters
- Chase AmbroseThe school's feared bully-king who falls off a roof, loses every memory, and gets a blank slate he didn't ask for. He must choose daily between the person everyone remembers and the person he's becoming.
- Shoshanna WeberChase's project partner and fiercest hater—her twin brother landed in the hospital because of Chase. She watches her hatred run out of evidence, and becomes his most reluctant defender.
- Joel WeberShoshanna's twin, hospitalized by bullying and sent away to recover. He returns terrified of Chase, then finds his voice—literally, through his violin—and his own terms for peace.
- Aaron HakimianChase's former best friend and partner in bullying, furious that the new Chase won't play king. His sabotage and threats make him the story's warning: some people never want the restart.
- Brendan EspinozaA video club kid once stuffed into lockers and dumpsters by Chase's crew. He's the first victim to give the new Chase a chance—and the one who catches Aaron's vandalism.
- Chase's fatherA former football star who sees his son's identity as a family inheritance. He pressures Chase back onto the team, standing for the old definition of who Chase is supposed to be.
What it's really about
Themes
Actions over memories
Chase can't remember a single cruel thing he did, but the people around him remember all of it—and their memories are the ones that count. His old phone, with its texts and videos of torment, proves who he was better than his own blank mind can. The book keeps asking: does an apology mean anything if you can't remember what you're apologizing for? Chase's answer is to stop arguing about the past and change what he does in the present—joining the video club, refusing the team, standing up to Aaron in front of the whole school. The point lands hardest with Joel, who won't forgive but stops being afraid: the book's position is that who you are is what you do, especially to people who can't fight back.
The possibility of change
The amnesia is a literal restart: Chase rebuilds a personality from zero and discovers he likes filming, editing, and being nobody's king. The tension is whether a restart is real if the old self is still in there, waiting in returning memory fragments. Aaron is the control group—he had no amnesia and no interest in changing, only in getting his partner in crime back. Chase's father pushes the same gravity: "Football is who you are. Without it, you're nothing." Against both, Chase chooses the video club, the nursing home visits, the new friends. The book's point: change isn't forgetting who you were—it's knowing exactly who you were and refusing to be that person anymore.
Bullying and its aftermath
The story never lets Chase's amnesia erase the cost of what he did. Joel spent months at a facility recovering from trauma and had to leave his own school; Brendan flinched at lockers and dumpsters; Shoshanna carried years of hatred. The book is unusual for telling the bully's redemption arc while keeping the victims' accounts fully intact—Joel gets the strongest scene, telling Chase to his face, "You ruined my life." And the resolution refuses easy grace: Joel plays a violin piece composed about his pain and says plainly, "I don't forgive you." The point: recovery belongs to the victims, and the person who caused harm doesn't get to set the terms of healing.
Identity as a choice
Everyone in the book has a version of Chase they need him to be: Aaron needs a partner in crime, his father needs a football star, the school needs its king, Shoshanna needs a monster to hate. The amnesia strips all of it away and leaves Chase with an uncomfortable freedom—he gets to pick. He picks filming and editing over football, kindness over dominance, and when his memories return he keeps the choice rather than defaulting to type. The mirror scene at the hospital, where he doesn't recognize his own face, sets up the whole question: if the face is a stranger, who decides what it does next? The book's answer: you do, one decision at a time.
Look closer
Symbols
- The amnesia
- The old phone and its videos
- Joel's violin
- The football team
Spoilers
Ending explained
The ending refuses the tidy version of forgiveness, and that's why it works. Joel never says he forgives Chase—he says he's not afraid anymore, and the nod from the stage is acknowledgment, not absolution. That distinction is the book's moral spine: the person who caused harm doesn't get to declare himself healed, and the person who was harmed doesn't owe healing on anyone's schedule. Chase's own resolution is similarly honest—he accepts he may never fully recover his memory, and stops needing to. One reading is that the amnesia was never the point; the fall just bought him time and distance, and the real restart was the daily choice to act differently once he knew exactly what he'd done. A darker reading lingers underneath: memory is fragile, and a person could just as easily slide back—which is exactly what Aaron, the story's foil, does. The final line—"I don't know who I was. But I know who I want to be."—lands because it doesn't claim victory. It claims direction, which is the only thing a restart can actually give you.
For class or book club
Discussion questions
- 1.Is Chase's redemption earned, or does amnesia let him skip the hard part of accountability? Weigh his choices against what Joel and Brendan actually get out of them.
Worth remembering
Best lines
“I don't know this person. I don't know this face.”
“You used to be the king of this school. Now you're hanging out with losers.”
“You ruined my life. I had to leave my own school because of you.”
“I don't forgive you. But I'm not afraid of you anymore.”
A fair critique
Where it falls short
The amnesia device is doing a lot of convenient work—it hands Chase a sympathy that a bully who simply chose to change would have to earn differently, and some readers will find the reset too clean. The redemption arc also moves fast: several characters revise their views of Chase within weeks, which can feel quicker than real trust rebuilds. And the villains, Aaron especially, stay fairly flat as the unrepentant foil, with little exploration of why he is the way he is. The victims' healing, meanwhile, is measured mostly by how they relate to Chase rather than on their own terms.
In one sentence
A bully who forgets everything gets the rarest gift in fiction—a second first impression—and has to decide, with his memories returning, whether to become the person everyone fears or the one he chooses to be.
Is it for you?
Who should read it
Middle-grade readers, especially kids navigating bullying from either side of it, and classrooms looking for a discussion starter on accountability and second chances. Also any parent or teacher who wants a story where the bully's redemption never erases the victims' side of the ledger.
4 questions
Quick quiz: how well do you know Restart?
0 of 4 answered
FAQ
What is Restart about?
"Restart" is about Chase Ambrose, a middle school football star who loses his memory after an accident. He discovers his past self was a notorious bully and must decide whether to embrace his new, kinder personality or revert to his old ways, all while grappling with fragmented memories and the reactions of those he once hurt.
Is Restart worth reading?
Yes, "Restart" is a highly engaging and thought-provoking middle-grade novel. It offers a powerful message about second chances, redemption, and the impact of one's actions, making it a valuable read for young people and adults alike. Its multi-perspective narration adds depth to the story.
How does Restart end?
Spoiler: Chase's full memory returns during the trial for the stolen Medal of Honor. He reveals that Aaron and Bear were the thieves, not him, though he was present. He is cleared of the theft but faces consequences for his past bullying, ultimately choosing to embrace his new, better self and make amends.
Who should read Restart?
"Restart" is ideal for middle school readers (ages 10-14) interested in stories about identity, bullying, and personal growth. It's also suitable for anyone looking for a hopeful story about redemption and the possibility of change, or for those who enjoy books with multiple character perspectives.
How long does it take to read Restart?
It typically takes about 4 to 5 hours to read "Restart" at an average reading speed. The book is approximately 250 pages long, making it a relatively quick and accessible read for its target audience, often completed in a few sittings.
Who wrote Restart?
Restart was written by Gordon Korman and first published in 2017.
What genre is Restart?
Restart is listed under Children & Young Adult.
More Children & Young Adult summariesHow many pages is Restart?
Restart is about 256 pages long (the median page count across its editions, per Open Library).
