1Duty as a slow death
Anna and Lena die of service in different registers. Anna chooses hers, scolding and economizing and working through a painful internal illness because she 'got no time to be sick.' Lena has duty imposed on her, married off and set to housework under a stingy mother-in-law, bearing children in rapid succession until her fourth kills her. Neither woman is rewarded. Anna dies alone while her employer is in Europe; Lena dies having never really awakened. Stein keeps showing the same transaction: a woman gives everything to a household, and the household consumes her. The book's point is that devotion without self is not virtue, it is erosion.
Characters:Anna FedernerLena Mainz
2The hunger for real feeling
Melanctha is the book's center of heat. She wants passion, excitement, real feeling, and she goes looking for it in railroad yards, docks, and the rough talk of working men, guided first by Jane Harden. Jeff Campbell offers the opposite: right living, being good and regular, a calm ordered love. Their circular conversations are two hungers arguing, and neither can give the other what it wants. When Jeff finally loves her, his suspicion poisons it; when Jem Richards excites her, he treats her with casual cruelty and abandons her. Stein's point is that a world with no room for a restless woman will offer her only men who police her or use her.
Characters:Melanctha HerbertJeff Campbell
3Repetition as a way of thinking
The famous style is already here, years before Tender Buttons. Stein's sentences circle and repeat, most visibly in the long talks between Jeff and Melanctha, where they probe each other about love, pain, and understanding without ever landing. The repetition mimics how people actually fail to communicate, saying the same thing in slightly different words and hoping it will finally be heard. A Chicago reviewer in 1910 compared her method to Henry James's; readers since have found it radical. The form is the argument: inner life does not move in straight lines, and prose that pretends it does is lying.
Characters:Melanctha HerbertJeff Campbell
4Women abandoned by everyone
Each story ends with a woman alone. Anna's beloved Mrs. Lehntman drifts away after taking a younger friend, and Anna dies with only her work beside her. Melanctha is abandoned by Jeff, by Rose, and by her other friends, and dies with no one to remember her. Lena is surrounded by people, a husband, a mother-in-law, four children, and is utterly unseen; the book says there was nothing more to say about her. Stein keeps isolating her women at the exact moment a conventional plot would send in a rescuer. The point is bleak and precise: these lives were never held by anyone.
Characters:Anna FedernerMelanctha HerbertJeff CampbellMrs. LehntmanRose JohnsonLena Mainz
5Immigrant and working-class Bridgepoint
All three stories unfold in Bridgepoint, a fictional town based on Baltimore, among German servants, black doctors and wanderers, tailors and their sons. Stein writes the people literature of 1909 mostly ignored: a servant who bullies her employer, a doctor who works among the poor, a girl imported like labor and married off like property. The town is nearly a character, a place where the same gray drudgery waits for all three women regardless of temperament. Anna fights it, Melanctha flees it, Lena surrenders to it. None of the three strategies saves her.
Characters:Anna FedernerMelanctha HerbertLena Mainz