1Grown-ups have forgotten
Every adult the prince meets is a single appetite inflated into a whole life: a king who rules nothing, a man who exists only for applause, a tippler drinking to forget drinking, a businessman counting stars he will never touch. Even geography, the narrator's childhood punishment, reappears as a geographer who never explores. The book's point is not that adults are evil but that they mistake measurement for meaning, and the prince's puzzlement is the mirror held up to us.
Characters:The narrator (the pilot)
2Taming and responsibility
The fox defines love as a process: you become tied to someone by wasting time on them, and wheat fields start whispering a person's name. This transforms the prince's grief over five thousand ordinary roses, because his rose is unique only through the time he gave her. The price is stated plainly, that you become responsible forever for what you have tamed, which is why the prince worries about an un-muzzled sheep and why the narrator inherits an unanswerable question.
Characters:The narrator (the pilot)The roseThe fox
3Seeing with the heart
The fox's secret, that what is essential is invisible to the eye, is tested all over the book. A sheep inside a box with air holes satisfies better than any drawn sheep. A well hidden somewhere in the desert makes the sand beautiful. A flower that cannot be seen makes the stars sing. The book asks you to treat the invisible as the more real half of the world, and the ending, a vanished friend felt among the stars, is that belief put to work.
Characters:The fox
4Childhood as a way of knowing
The narrator's drawing of a boa digesting an elephant was read as a hat, and he gave up painting for geography, history, arithmetic, and grammar. The prince keeps the child's power: he wastes time over a rag doll until it is precious, knows what he seeks, and asks direct questions adults dodge. The book argues that growing up is less an age than a surrender, and that the pilot's friendship with a boy is an attempt to take the surrender back.
Characters:The narrator (the pilot)
5Loneliness and departure
The prince says he is lonely among men, and the desert agrees: a three-petaled flower reports only six or seven men exist, an echo impersonates them, and fast trains carry people who do not know what they want. Leaving is the book's recurring motion, from the rose, from each planet, finally from Earth itself. The sadness is that departure is how the prince learned what he had, and the sunset line about loving it when one is so sad is the theme in miniature.
Characters:The rose