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The Dark Tower VI: Song of Susannah

Stephen King

A pregnant gunslinger's body is hijacked, and the ka-tet shatters across two New Yorks and one doomed Maine town.

Full book: ~8 h read

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Epic fantasy / Horror · 2004FictionEnglish

The Dark Tower VI: Song of Susannah

In 60 seconds

Mia, a demon turned mortal, seizes Susannah's body and drags it through a magic door to give birth to Mordred, the Crimson King's promised heir. The magic splits the ka-tet: Jake, Oy, and Callahan chase her into 1999 New York while Roland and Eddie land in Maine in 1977 to save a rose-linked vacant lot. Roland and Eddie survive an ambush, secure the lot for the Tet Corporation, and confront Stephen King himself, learning he is a medium for their story, not its god. Jake and Callahan storm the Dixie Pig as Susannah gives birth in Fedic; Mia is deceived and devoured by her own newborn son, and Susannah escapes alone.

Before you start

Why it matters

This is the penultimate Dark Tower volume, and it does something rare: it puts the author inside his own story. King writes himself into the myth as a conduit, not a creator, which turns the whole series into a meditation on where stories come from and who gets to end them. Read it if you're following Roland's quest to the Tower, or if you love metafiction that still delivers gunfights, demonic bargains, and a birth scene gone horribly wrong.

Spoilers ahead

The story

  1. 1

    Act 1

    The Demon's Bargain

    Susannah Dean is trapped in her own mind by Mia. Mia, the former demon who took control of their shared body after the battle against the Wolves of Calla Bryn Sturgis, is now mortal and heavily pregnant. Susannah-Mia escapes Doorway Cave through the magic door with the help of Black Thirteen, the evil maht crystal (wizard's glass), leaving the rest of the ka-tet behind. Mia tells Susannah she made a Faustian bargain with Richard Sayre, trading her demonic immortality for the ability to bear a child. Mia explains the child is biologically the offspring of Susannah Dean and Roland Deschain: Roland's seed was passed to Susannah via an elemental demon (incubus) that mated with both of them. Mia doesn't care about parentage. What she cares about is the Crimson King's promise: sole charge of raising the boy, Mordred, for the first part of his life, before the critical destiny the King foresees for him arrives.

  2. 2

    Act 2

    The Door Splits the Ka-tet

    The remaining ka-tet—Roland, Eddie, Jake, Oy, and Father Callahan—enlist the Manni, a religious sect that worships the doorways between worlds, to open the magic door inside Doorway Cave. The door splits the ka-tet due to ka, sending them to two different times and places. The magic door sends Jake, Oy, and Father Callahan to New York City in 1999, where they follow Susannah-Mia to save her from being delivered into the hands of the Crimson King's henchmen. Roland and Eddie Dean are sent to Maine in 1977 with the goal of securing ownership of a vacant lot in New York from its owner, Calvin Tower. The gunslingers believe a rose growing in the vacant lot is a secondary hub of the universe, perhaps a representation of the Dark Tower itself, and that the Tower will fall if the rose is harmed. Calvin Tower is hiding in Maine from Enrico Balazar's men, who have been strong-arming him to sell them the vacant lot; Tower has resisted with Eddie Dean's help.

  3. 3

    Act 3

    Maine, 1977: Ambush and the Author

    Roland and Eddie are ambushed in Maine by Balazar's men headed by Jack Andolini after Mia tipped off the gunmen, hoping they would dispose of the gunslingers as threats to her child. Roland and Eddie escape the ambush with the help of John Cullum, a local man they deem a savior placed by ka. Roland and Eddie accomplish their primary goal: the vacant lot is deeded to the Tet Corporation. Afterward they learn that Stephen King lives nearby in Maine and decide to visit him, having come to know his name from a copy of 'Salem's Lot found in the Calla. King's presence and his relationship to the Dark Tower make the reality around his Maine town 'thin,' and strange creatures called 'walk-ins' begin emerging and plaguing the community, mostly appearing on King's own street, though King has never seen one. Roland hypnotizes Stephen King and learns that King is not a god but a medium through which the story of the Dark Tower transmits itself. Roland implants in King the suggestion to resume writing the Dark Tower series, which King has abandoned; the gunslingers believe major forces are trying to prevent King from finishing it, and that their quest's success depends on his writing the story.

  4. 4

    Act 4

    The Dixie Pig and the Birth in Fedic

    In 1999 New York, Jake and Father Callahan prepare to assault the Dixie Pig, where Susannah-Mia is held by the Crimson King's soldiers. Jake and Callahan discover the scrimshaw turtle that Susannah left behind for them, which gives them faint hope of success. Jake and Callahan enter the Dixie Pig with weapons raised. Susannah-Mia gives birth to Mordred in Fedic, a town in Thunderclap, under the care of the Crimson King's men. Mia realizes she has been deceived about her role in raising Mordred and dies shortly after the birth; the newborn Mordred, a spider-like creature, immediately kills and consumes her. Susannah regains full control of her body after Mia's death and faces the newborn Mordred, who rapidly matures into a monstrous form. She uses Black Thirteen's empty bag to create a makeshift door and escape from Fedic, leaving Mordred behind. Segments of Stephen King's diary spanning 1977 to 1999 are shown, detailing his writing of the first four Dark Tower books, a process that stops when he dies on June 19, 1999, the date of the accident that interrupts his writing.

Who's who

Characters

  • Susannah DeanA gunslinger of the ka-tet whose body is hijacked by Mia; trapped in her own mind, she watches her captor's bargain unfold, then reclaims herself after the birth and escapes Fedic alone through a makeshift door.
  • MiaA former demon turned mortal, heavily pregnant, who traded her immortality to Richard Sayre for a child; promised motherhood of Mordred by the Crimson King, she is deceived and devoured by her newborn son.
  • Roland DeschainThe last gunslinger, biological father of Mordred through the elemental demon's passage of his seed; he secures the rose's lot, hypnotizes Stephen King, and sets him back to writing the story that keeps the quest alive.
  • Eddie DeanRoland's apprentice from 1980s New York, who once helped Calvin Tower resist Balazar's strong-arm tactics and now lands in 1977 Maine to finish the job, surviving an ambush and deeding the lot to the Tet Corporation.
  • Jake ChambersThe young gunslinger sent to 1999 New York with Oy and Callahan; he recovers Black Thirteen, hides it beneath the World Trade Center, and storms the Dixie Pig to save Susannah.
  • Father Donald CallahanThe disgraced priest from 'Salem's Lot, now a gunslinger's man; he follows Susannah-Mia to New York, recovers the wizard's glass, and enters the Dixie Pig with weapons raised.
  • OyThe billy-bumbler loyal to Jake, split with him to 1999 New York, where he joins the assault on the Dixie Pig.
  • MordredThe child of Susannah and Roland's seed, born in Fedic as a spider-like creature who devours his mother Mia within moments of birth and rapidly matures into a monstrous form.
  • Stephen KingThe author himself, living in Maine in 1977; hypnotized by Roland, he learns he is a medium for the Dark Tower's story, not its god, and is compelled to resume the series he abandoned.
  • Calvin TowerThe owner of the New York vacant lot holding the rose, hiding in Maine from Enrico Balazar's men; his signature deeding the lot to the Tet Corporation protects the Tower's anchor.
  • John CullumA Maine local who helps Roland and Eddie survive Andolini's ambush; they take him for a savior sent by ka, and he becomes their ally.
  • Enrico Balazar and Jack AndoliniThe mobster and his enforcer, whose men strong-arm Calvin Tower for the vacant lot and ambush Roland and Eddie in Maine after Mia tips them off.
  • The ManniA religious sect that worships the doorways between worlds; their rituals reopen the magic door in Doorway Cave, and ka splits the ka-tet through it.

What it's really about

Themes

Bodies as contested territory

Susannah's body is the book's first battlefield. Mia seizes it after the battle against the Wolves of Calla Bryn Sturgis, and Susannah spends the novel a prisoner behind her own eyes while another woman drives it to a birth she never chose. The child inside her is even technically Roland's, passed through an elemental demon that mated with them both, so her own flesh carries a lineage she never consented to. The horror is not the pregnancy but the loss of authorship over oneself. When Mia dies and Susannah regains full control, the book's point lands: a body can be occupied, bargained over, and promised away, but the self can take it back.

Stories need a teller, not a god

The confrontation with Stephen King reframes the entire series. Roland hypnotizes him and learns King is not a god but a medium through which the Dark Tower's story transmits itself. The gunslingers' quest depends on King writing it, which is why Roland implants the suggestion to resume the abandoned series, and why major forces are trying to prevent him from finishing. King's diary, shown from 1977 to 1999, makes the stakes literal: the writing of the first four books stops on June 19, 1999, the date of the accident that interrupts him. If the teller falls, the tale and its heroes fall with him.

Bargains and their fine print

Mia's Faustian deal with Richard Sayre is the novel's cruelest engine. She surrenders her demonic immortality for the ability to bear a child, and the Crimson King sweetens it with a promise: sole charge of raising Mordred for the first part of his life. Every clause is a lie in waiting. The parentage is not hers, the promise is not kept, and the moment she realizes she has been deceived, her newborn son, a spider-like creature, kills and consumes her. The book's warning is simple: deals with powers like Sayre and the Crimson King are priced in exactly what you cannot afford to lose.

Ka and the splitting of a band

The Manni's door does not reunite the ka-tet; it divides it. Ka sends Jake, Oy, and Callahan to 1999 New York and Roland and Eddie to 1977 Maine, splitting the band across two decades of the same city's world. Each half carries half the mission: save Susannah, save the rose. The pattern repeats in smaller frames, as when John Cullum appears at the ambush and Roland and Eddie deem him a savior placed by ka. The book keeps asking whether ka is guidance or trap, and answers: both, depending on whether you survive it.

Thin places where worlds leak

Around Stephen King's Maine town, reality goes thin. Walk-ins, strange creatures, emerge and plague the community, mostly on King's own street, though he has never seen one. The image extends outward: a rose in a vacant lot believed to be a secondary hub of the universe, perhaps the Dark Tower itself, and Black Thirteen, a wizard's glass, hidden in a locker beneath the World Trade Center, where the towers' collapse on September 11, 2001 will destroy or bury it forever. The book's world is porous; what leaks through the thin spots is exactly what the gunslingers fight.

Look closer

Symbols

The rose
Growing in Calvin Tower's vacant lot, the rose is believed by the gunslingers to be a secondary hub of the universe, perhaps a representation of the Dark Tower itself, fated to fall if harmed. Deeding the lot to the Tet Corporation is the ka-tet's way of fencing a world: protecting one small flower to protect everything.
Black Thirteen
The evil maht crystal, a wizard's glass, opens the door for Mia's escape and later lies in a storage locker beneath the World Trade Center, where the September 11, 2001 collapse will destroy or forever bury it. Its arc runs from active evil to sealed evil, and its empty bag becomes Susannah's makeshift door out of Fedic.
The magic door
Opened by the Manni in Doorway Cave, the door obeys ka rather than its users, splitting the ka-tet across 1999 New York and 1977 Maine. It stands for the book's rule that passage between worlds costs unity: every crossing scatters the travelers into separate trials.
The scrimshaw turtle
Susannah leaves the turtle behind for Jake and Callahan, a small carved sign that she is still fighting inside her occupied body. It gives them faint hope before the Dixie Pig assault, a token that the prisoner has not surrendered.
Walk-ins
Strange creatures emerging around King's thin Maine town, mostly on his own street though he has never seen one. They mark what happens when a story's medium lives too close to the tale: the border between fiction and reality wears through, and things cross it.

Spoilers

Ending explained

The ending is a double severance. Mia, who sold her immortality for motherhood, is devoured by the child she was promised, which reads as the book's verdict on every bargain struck with the Crimson King's side: the fine print always eats you. Susannah's escape through the makeshift door made from Black Thirteen's empty bag is quieter and stranger, because she leaves her son behind, a monster rapidly maturing, and the book does not mourn with her. Meanwhile King's diary stops on June 19, 1999, the date of the accident that interrupts his writing, which reframes the whole novel as a story racing its own author's mortality. One reading: the gunslingers saved the rose and the teller, so the quest can continue. Another: they only bought time, and the diary's silence is the real cliffhanger. It lands because the stakes are now meta: if the medium stops, the world stops.

For class or book club

Discussion questions

  1. 1.Is Stephen King's portrayal of himself as a medium rather than a god a humble statement about authorship, or a clever dodge of responsibility for the story's cruelty?
  2. 2.Mia's bargain trades immortality for a child she never gets to raise. Compare her Faustian deal with Richard Sayre to the gunslingers' own sacrifices: is anyone in the novel allowed to keep what they pay for?
  3. 3.The diary's writing process stops on June 19, 1999, the date of the accident that interrupts it. How does dating the story's survival to a real event change what the fictional quest means?

Worth remembering

Best lines

“Faustian bargain”
— Mia, describing her deal with Richard Sayre
“wizard's glass”
— the maht crystal Black Thirteen
“walk-ins”
— the strange creatures plaguing King's Maine town
“Dixie Pig”
— the restaurant where Susannah-Mia is held

A fair critique

Where it falls short

The novel is a bridge, and it reads like one. Large stretches are logistics: getting Roland and Eddie to Maine, getting Jake and Callahan to the Dixie Pig, getting Mia to Fedic. The Manni, the ambush, and Cullum resolve quickly, and some readers find the 1977 mob plot the thinnest material in the series. The self-insertion of Stephen King is bold but polarizing; if you resist metafiction, the hypnosis scene and diary excerpts can feel like the book congratulating itself. And the split structure means neither half gets a full climax: the Dixie Pig assault begins just as the birth ends the book.

In one sentence

A demon's stolen body, a split ka-tet, and an author hypnotized into writing the world's survival: the Dark Tower's penultimate chapter is about who pays for a story to keep being told.

Is it for you?

Who should read it

Readers continuing Roland's quest who want the penultimate volume's split-world structure and the shock of King writing himself into his own myth. Also for fans of metafiction that still delivers mob ambushes, demonic bargains, and a birth scene that goes monstrously wrong.

4 questions

Quick quiz: how well do you know The Dark Tower VI: Song of Susannah?

Question 1

1What did Mia trade in her bargain with Richard Sayre?

Question 2

2Why do Roland and Eddie need Calvin Tower's vacant lot?

Question 3

3What does Roland learn when he hypnotizes Stephen King?

Question 4

4What happens to Mia immediately after Mordred's birth in Fedic?

0 of 4 answered

FAQ

What is The Dark Tower VI: Song of Susannah about?

Song of Susannah is the sixth book in Stephen King's Dark Tower series. It follows Roland and his ka-tet as they split up: Susannah is taken over by Mia, who wants to give birth to a demon child in 1964 New York, while Roland and Eddie travel to 1977 to meet Stephen King himself. The novel explores the connection between King's writing and the fate of the Tower.

Is The Dark Tower VI: Song of Susannah worth reading?

Yes, if you are invested in the Dark Tower series. It is a shorter, more focused installment that sets up the final book. It offers crucial plot developments and meta-fictional twists, but it is not a standalone novel. Readers who enjoy the series' blend of fantasy and horror will find it compelling.

How does The Dark Tower VI: Song of Susannah end?

Spoiler: The novel ends with Susannah defeating Mia and giving birth to a normal baby, named Stephen. Roland and Eddie return from meeting Stephen King, and the ka-tet reunites. They prepare to continue their journey to the Tower, now aware that King's survival is essential to their quest.

Who should read The Dark Tower VI: Song of Susannah?

Fans of Stephen King's Dark Tower series who have read the previous books. It is not a good starting point for new readers. Those who enjoy meta-fiction, epic fantasy, and horror will appreciate the novel's unique blend of genres and its exploration of the author's role in his own universe.

How long does it take to read The Dark Tower VI: Song of Susannah?

The book has around 400 pages. At an average reading speed of 250 words per minute, it takes about 8-10 hours to read. Most readers finish it in a few days to a week, depending on how much time they dedicate to reading.

Who wrote The Dark Tower VI: Song of Susannah?

The Dark Tower VI: Song of Susannah was written by Stephen King.

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